henna hands Nepal

“The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere, they’re in each other all along”. Rumi

Love has many faces. I think there are nine faces of love. Love for the beloved, your lover or spouse. Love for your precious child. Love for a special pet that is an essential part of your life. Love for family, for a mother and a father, a sibling and home. Love for a friend. Love for God. Love of Self. The Universal love of life itself and the world we live in. And then there is unconditional love, which can be part of every one of our love stories, and when present, transforms love into something far more spiritual and far less personal. Unconditional love is all about giving.

If you think about these nine faces of love and feel into the nature of those love stories, you can feel that each love is slightly different. The love of a child feels very different or at least should, from the love of a spouse or lover. The love of God feels decidedly different than the love of our pet, who brings joy to our lives. Love is vast and has so many colors and forms that there is no end to discovering the territory of the heart. And without an open heart, there is no love.

We each have a love story. Or many love stories. I have had the privilege of loving often, loving deeply and loving without borders. I have had three husbands, two daughters, countless people who have sought out my advice and are now part of my heart for life. I have had family, friends, teachers, gurus, dogs, cats, horses to love. Some of these relationships gave me ample opportunity to learn about love and forgiveness, about letting go and taught me the difference between love and possession. And my experience of unconditional love usually was born from having so much heartbreak, that my capacity for loving grew exponentially.

Katherine Hepburn is my Hero. She said, “Love has nothing to do with what you are expecting to get, but what you are expecting to give”. It took me quite a long time to find that the giving of love was far more important and joyful than being loved. That is a big statement for me to make in a culture that is all about being loved and getting love. But, the distinction makes all the difference to the quality of true happiness.

Last year I had the opportunity to open my heart just a little wider and let in the world. It was not a choice. It was an unexpected moment when my heart was blown open by a new experience of love. Most of my love affairs have been with a person. Sometimes my love has been far more universal, but this past year I fell in love with the world around me. I fell deeply in love with the children of our planet, the people who are just like me but who have very little opportunity to be loved, yet who possess a depth of spiritual awareness, loving kindness and joy that defies my comprehension.

I fell headlong into this central love story for my life when I heard the voices of AOMusic. And then I felt the beauty of their vision for creating unity between those

who have resources and those who do not, creating connection of heart and cause, money and magic, and I was encouraged to participate in a process of personally embracing my own power, in order to encourage more power for those who are powerless.

Children are such a gift and they are the seeds of our future and possess the innate spark of ‘source’. Each child is a walking love story. So, I would like to share a few stories with you that touched me, generated a life long commitment to partner with AOMusic and Richard Gannaway, its founder, who endeavors to marry music with charity and to write songs that change our own cellular nature. Music wakes the heart and the children of AO bring each and every one of us closer to the source of who we are.

Richard has been traveling the world to remote areas, which suffer from natural disaster, poverty and alienation. He has been recording children in these areas for over a decade. He finds groups of children who learn one of his songs and then sing with Richard, who then records them for becoming the voices at the center of the music. Then the financial profits from these songs go back to the children and their villages. Here are some of the children of AO and their amazing stories.

A Love Story from Johannesburg, South Africa:

It is not unusual for the bush mothers in the squatter villages around Johannesburg to leave their newborns by the side of the road. They are from families who are too large with not enough food. They are young girls who have been raped with no means of caring for a child. Mothers die from malnutrition and fathers are overwhelmed. It happens all the time. A mother, an aunt or a sister will come in the night and leave newborns at the crossroads for someone to find and hopefully bring the baby to an orphanage or take the child into their own homes. That is the hope. It does not always happen.

A little newborn baby girl was left in the night on the side of the road in a basket. Imagine in Africa, in the bush, a baby crying in the darkness. But, this night, a stranger did not pick the little new born up. No one came for her, or heard her cries. Except for a pack of wild dogs.

The next morning the child was found having been fed on by the Dingos in the night, but she was alive. She was taken to the hospital and survived the terror of an experience I cannot imagine. This little girl grew up in an orphanage and in 2010, Richard went to this orphanage in South Africa to meet the children and record music with them. This one little girl stepped forward and her voice was clear and true and her love and joy for life, bright and blazing. This tiny baby left for the dogs was now eleven years old and had one nearly fully amputated arm and one amputated leg from that fateful night.

Her love for life, the joy in her voice was never fully compromised by her brutal beginning. The offering of her light and her voice rang out in the And Love Rages On Album. And she and children all over our planet just like her are at the heart of why

I do what I do with AO. Why I am committed to bring love into the lives of children who need AO, who need our help, who need both you and me. And as Katherine Hepburn said, “love is in the giving”.

A Love Story from Indonesia

AO had an opportunity to record children in Indonesia. There are several Youtube videos of these amazing children as part of stunning songs from AOMusic. But, in this story, more unthinkable experiences for Americans like me, went straight into my heart.

While in Indonesia, Richard was on an island where he met a family on a hillside living in a lean to. This little family was selling crafts, coconuts and mangos in order to feed their family. Their house was a piece of corrugated metal with sticks to hold it up and on a steep volcanic hillside. Numerous families were dispersed in the jungle just like this family, exposed to the elements and making ends meet the only way they could.

There was no TV, or Internet, there were no toys from Toys R Us. The lives of each family member had a singular focus: Survival. And yet the children were the happy children, laughing and playing. The adults were the salt of the earth, generous and giving.

And in Indonesia there were countless children without families living on waste heaps that went on for miles out side the city. These heaps of trash and refuse were two or three stories tall and infested with giant rats. There where herds of rats that would run and stampede and the children would have to hide from the stampedes. These children were living in toxic waste but at sunset Richard would watch them playing with each other and creating games with what they had found that day among the garbage.

A Love Story from Malaysia

In Malaysia, off the tip of another volcanic island, countless five and six year old children were armed with machetes that were taller than they were. Every day these children would hike up the volcanic mountain with their giant machetes and they would pull coconuts off the trees, while welding these massive swords. Then they would sell the coconut juice for money or food. These bands of children lived on the hillside and in the tropical jungle having only a donkey to get them up to the rim of the volcano.

Our constant and never changing experience is of the resilient children who have lived through earthquakes, tsunamis, war, and genocide, orphaned and alone. Their unbeatable spirit and strong hearts, is what AO is about. AO is Polynesian for, Light. These children possess the light even after the unthinkable.

As our planet embarks on our single most historical moment and begins to consciously feel and understand that we are all…connected, our work with and for

children of the light is a monumental need. AOMusic is dedicated to that need and answering the call for responsible action in every way we can. And as for me, I have changed my life, cleaned out the closets of my own resistance, sold everything I own and done so in order to live this journey of unconditional love. And when I meet children like these, it is an easy choice. Because in the end I am the one who is given the gift of love.

And, like in every other remote part of the world, these children that live hand to mouth, possess a kind of joy that stops you in your tracks and allows for the possibility that your heart will expand with love and caring and then move you swiftly into action. Love without action is incomplete. And as just one person I have much of what they need. I have time. I have extra money, I have motivation and baskets full of love to freely offer. What I receive in return is priceless.

Each of these stories are followed by countless others. And there are millions of stories going untold, children going unseen, lives ending before they begin. And there are also countless stories of people around the world who feel uninspired, have resources they could share, are doing a job they hate, feeling alone, lost in the television or isolated. There are people everywhere needing meaning in their lives. We need each other. And like the little girl who was attacked by wild dogs, the triumph of her spirit is a spiritual energy that can create miracles for anyone who is willing to open their eyes and arms to the world around them.

The stories of these children are a call for me to move into action. The way I get to ‘unconditionally love’ is to simply be fully present to the feelings I have when I look into their eyes. To really listen when I hear their voices singing on an AO album, feel the joy every time a donation to AO Foundation International comes in and I know which child will get shoes because of it, what little boy or girl in Kathmandu might get an education, or see shelter be put up after the next earthquake or tsunami to get children off the street and away from sex trafficking predators. I simply get countless chances to love…unconditionally. And unconditional love is the single most untapped resource we have on this planet.

This is my life. This is my life’s work. This is my love story.

Johannesberg children  Children Playing with Dolls on Trash Heap

african-slum1 child on trash heap

 

A Year of Being a Gypsy

gypsy wagonand horse

One year and three months and I’m not off the road yet and still have no driver’s license.  But, more on that later you won’t believe it.  Let’s see. Oklahoma, North Carolina, Denver, Seattle, Point Roberts, Los Angeles, Orlando, New York City, Boston, the Bahama’s and Canada, then all over again. Coast to Coast, 1, 2, 3 times and counting.

As a gypsy, I have traveled to the most amazing places thus far.  I have been on all the major highways: I-40, I-70, I-80 and I-95.  Route 101 up the California coast, I-5 that was unbearably bleak and down historic Route 66.  The Grand Tetons, the Rockies, Mt. Rainier, Zion, Canyonlands, the Pacific Ocean, Atlantic Ocean, swimming with Dolphins and schmoozing in Beverly Hills. Sun worshipping on Daytona Beach and hanging with soaring eagles on the Canadian Border watching for Orcas. I have slept on blow up beds, several squishy couches, the hard floor, futons, sleep by number beds ( I can never make up my mind.  Am I a 35 or a 70?).  Then there were boat cushions, the back seat of the car and a dog bed the size of a Great Dane.  I have yet to camp.  Just give it time.

I determined to take a year to discover what made me happy.  I sold most everything and decided to follow the flow that would reveal a deeper layer of who I am and help me discover more of what inspires me. I took the culmination of 2012 seriously.  If the paradigm for our planet was shifting, if old structures that no longer worked were falling away and new consciousness was emerging, then I would start living those truths first of all…in myself.  I would fall headlong into being a single woman in the world; invite the Universe to show me what I needed to know and how to express love, compassion and generosity in the world.  The year went nothing like I had planned. The phrase, “If you want to make god laugh, just tell him your plans” became all too real.

Yet, I achieved all I had hoped for and more, in the face of thwarted plans and with no plans at all.  The freedom of driving with the Kenny Loggins blaring in my car and no one to criticize my choice in music was replaced by needing to be chauffeured by my daughter with her music playing and Mumford and Son’s blaring.  I wanted to listen to hours of inspirational CD’s while I drove carefree.   No way…it was Florence and the Machine.

I had thought that in one year I would find a clearer and more inspired definition of my work in the world.  Then I would settle somewhere and begin to craft new work in the world and finish writing my book.  In just one month to the day after hitting the road, the Universe reached down, plugged me into my destiny when I was not looking, packed my bags for me and sent me out the door as the Ambassador for a world music company, AOMusic.  Then the Universe whispered with a smirk, “so you say you want to be a film produce.  Have at it”.   Without effort and with no plan at all, I had stumbled upon myself and my bliss in less than 30 days. It was far easier than loosing those 10 extra Christmas pounds.

So, now, 16 months later I have been to The Film School in Seattle, one script has come and gone, I have created a short film for AOMusic in Nepal, become the executive producer and fundraiser for an AOMusic documentary, work along side of Miriam Stockley who I had always wanted to meet since the album Adiemus was released over a decade ago and gone fly fishing with ‘Viper’ himself, Tom Skerrit.  And I am traveling in spite of having no driver’s license as my path keeps unfolding, winding, calling on me to pack up and go where I am needed with no notice. When I get to the next destination I bump into a better, shinier, more alive part of myself.  So I now say Yes to the Universe with excitement and enthusiasm even though I have no clear destination. My notion of faith and trust has gone turbo.

The initial idea I had was simply an idea.  I have not settled anywhere, I keep moving as a gypsy without a driver’s license.  I keep saying yes and that yes opens a next door, introduces me to the most amazing people and fulfills life long dreams without my planning the outcome or trying to make anything happen. My idea of ‘going with the flow’ has changed in nearly a year and a half.  I think now I would say that I am “allowing the flow to move me forward”. And what is the flow?  Love. Joy. Creative Expression.

Now at the beginning of 2013 I do not look ahead very far.  I used to spend most of 2012 looking toward the end of the year wondering what the end of the Mayan prophecy would look like, how the world would change.  2012 was a marker, a point of focus.  But, 2013 seems as if there is no vista point, nothing more than vast possibilities stretching out endlessly for all of humankind.  I plan simply for one day but I make sure I have clean underwear just in case.  Then the next day unfolds and I plan for it the best I can when most of the time I don’t know the answer to the basic building blocks of life:  Who, What, When or Where.  Only Yes.  For me, ‘No’ equals resistance and ‘Yes’ equals surrender.

What is calling me and coming into focus for 2013?  Back to Nepal and the Maratika Caves, on to Osaka Japan and the Temples of Humankind in Italy.  Working with the growing family of AO and AO Foundation International, producing, working with my daughter, discovering the joy of countless children around the world and giving back ten fold for all the riches this life has provided me with. Trusting that all that is needed to move this mountain of an AO vision forward and to then change countless lives, is always available and generously supplied.

Some days I barely have gas money but money is supplied.  I can allow all the money I possess to be a creative agent, freely moving and meeting the need of the moment and the money replenishes itself.  I can wake up one day daunted by the possibility of raising several million dollars and then it dawns on me that I can do it a dollar at a time.  Love and money are inextricably connected.

And this year has solidified a knowing that has become the hallmark of my experience: Here is what I have learned and is etched in my heart:  Rich does not mean money in the bank and stuff in the closet.  Money does not make the world go round.  Love is the only currency that holds it’s value and compassion, kindness, joy and generosity is the true sustainable resource that has gone untapped far too long. I am grateful for this awareness and eager to see what is next.

On to 2013…the year of Yes …and Yes again.  And here is also what I now know and will take with me in my journey (after I pack my clean underwear of course).

Tired of Speaking Sweetly

Hafiz

Love wants to reach out and manhandle us,

Break all our teacup talk of God.

If you had the courage and
Could give the Beloved His choice, some nights,
He would just drag you around the room
By your hair,
Ripping from your grip all those toys in the world
That bring you no joy.
Love sometimes gets tired of speaking sweetly
And wants to rip to shreds
All your erroneous notions of truth
That make you fight within yourself, dear one,
And with others,
Causing the world to weep
On too many fine days.
God wants to manhandle us,
Lock us inside of a tiny room with Himself
And practice His dropkick.
The Beloved sometimes wants
To do us a great favor:
Hold us upside down
And shake all the nonsense out.
But when we hear
He is in such a “playful drunken mood”
Most everyone I know
Quickly packs their bags and hightails it
Out of town.

 

A River Of Change and You are Part of It

Christmas image

 

We can’t be afraid of change. You may feel very secure in the pond that you are in, but if you never venture out of it, you will never know that there is such a thing as an ocean, a sea. Holding onto something that is good for you now, may be the very reason why you don’t have something better.”
― C. JoyBell C.

I ventured out of my pond over a year ago.  I put my tiny boat in a new river and made a commitment to stay in and see every inch of where this river was taking me. I have lived on the road for now over 14 months and have loved every minute.   And from that deep commitment, that letting go of everything that was familiar, I not only discovered a passion in this life, but a purpose that uses every part of who I am. A discovery about my work in the world that looked nothing like I had imagined yet embodied everything I love: Children, Giving, Film, Music, Travel and Collaboration.

My partnership with Richard Gannaway, AOMusic and Arcturian Gate has not only “re-seeded” my life with a new kind of hope, a bigger version of myself and a certainty that love is why we are all here, but it has allowed me to meet people all over the world, reach out to children in need and enroll countless others in expressing their own talents and gifts in aligning with us on the journey of Music married to Cause.

This year we established our non-profit agency, AO Foundation International.  Through our music, our connection with children and their families who live in hardship around the world, we are giving back to these children who make our music what it is and we are aligning with several other non-profits who give generously to helping those in need.  As AO becomes the only group to give 100% of our profits to helping the world, we embark on an entirely new paradigm.

This Christmas season is amplified by the ending of the Mayan Calendar.  This is a time which increases the potential for love and unity around the world.  I have been watching and posting on Facebook this week and see a surge of hope, love and gratitude flowing far more freely today.  Each of us are being called to use our energy with intention and focus on giving, gratitude and love.  And energy can be working with your hands, making music, feeding people who need our help and giving of our financial resources.

We are establishing and developing all the channels for giving with our new 501c3.   And now we can offer all of you who give to AO through our foundation, a tax deduction that can benefit you as your generous support financially will launch rockets of love into the lives of so many.  We are rapidly building a financial village who make our work happen.

And AO Foundation International is needing to create an impeccable infrastructure and needs financial help to put this vessel of love into the ocean of causes to make sharing and giving the reason our music exists.  Please help us during this amazing time by donating to our new endeavor.   Not only will you receive a useful tax deduction, but we will send you our new album just about to be released in 2013.

Simply contact us through our website www.aofi.org and use the “Donate Button”.  Or contact me at mayachristobel@gmail.com. Your financial support is greatly needed and appreciated.

AO starts the new year with a brand new album that is destined for another Grammy Nomination and beginning a fully funded Documentary series and live performance in Italy.  We are eager for you to join our family, follow us on this amazing journey and participate in ways you are inspired.  Look for updates as all our work of love manifests.  What a time we live in!

Hugging the world

 

A Case for Greatness

We live in a world where speaking to someone’s Greatness is infrequent.  Most often we speak to what is wrong, what is incomplete, aggravating, and problematic in a person.  Praise and appreciation fall between the cracks of relationship usually rendering the basic pallet of connection one of working it out, putting up with, overlooking or simply, reactive confrontation when we get overwhelmed.

The basic ingredient that can change the tide in any relationship is honesty:  Speaking the truth, first with yourself and then with the other. The first question is “Why am I not telling the truth?  What am I afraid of and what do I think the outcome will be if I keep choosing to withhold my feelings or thoughts and observations?”

Yet, in our new age culture where tolerance is far more desired than confrontation, we have gone to the other side of the equation.  Tolerance tends to end up looking like skirting the issue, having sympathy for the plight of a friend, when many times it is really fear of confrontation that drives our silence and in-authenticity.  So we call it “Tolerance”.  That is a kind of lie that we feed.

There is a middle ground that we rarely find ease at identifying and then live out in our relationships:  A combination of Empathy and one of Fierce Truth Telling.  The question is for most of us, how to tell the honest truth from the heart in a way that speaks to the appreciation for and the greatness of the person we care about, instead of how they have failed?”  This is the essential and necessary shift we all need to make in all our relationships, both to self and others, and in the larger Shift that is happening on our planet.

As the paradigm of power shifts incrementally from a patriarchal model to a more balanced form of Power, which now includes the feminine skill of empowering through intuition, instinct and empathy, we are challenged to re-write the common ways in which we approach all of our relationships.  It is way past time, to eliminate all the dysfunctional forms of relationship with other people and with ourselves no matter what we imagine the risk to be. The cost of not doing this is far greater than the perceived risk.

There is a long list of habits that we learned from our parents, our government, our culture, our church and an even larger list that is fed from unspoken fears: Namely, that if we are ruthlessly loving, we will be rejected and unloved in return.  How many of us have become expert at ways of being in relationship or business that in fact never helps us achieve what we want, which is connection, love, power, creativity, full expression of self and harmony?  How many ways of undermining the success of relationship do I practice without consciously thinking?

*  Withholding the truth because I believe the person cannot handle it?

*  Withholding my feelings because I don’t want a conflict or to be rejected or in many cases loose the little bit I have or think I need from that person?

*  Telling myself that I cannot say the truth because I need something from that person that they will take away if they do not like what I say?  I then settle for something that is incomplete, dysfunctional and dishonest. I fall out of integrity with myself.

*  Rationalization is the biggest lie that we use to protect ourselves.  We tell ourselves that it is better that the person does not know the truth because they will be hurt, offended or will not be able to handle the truth, so “I will protect them from those feelings because I love them”.  This is the root of becoming an enabler:  Allowing the person to continue to be or do things in ways that alienate and create problems for themselves and for others and not speaking to the power and greatness in them, but to their weakness instead.  By doing this we never allow for the possibility of change and growth and everything becomes stagnant.  Not only the flow of love in the relationship but the flow of money and resources.  A kind of energetic constipation where nothing is moving takes over.

The minute we conform to someone’s dysfunction, adapt to it, and accommodate even for selfish reasons, we have supported limitation and dysfunction instead of health and vibrancy in the person we are with.  And have you noticed that we then feel less vibrant ourselves, more constrained and unhappy? In other words, we strip the person of the possibility to grow into the person they are capable of being and strip ourselves of a life of integrity that only brings ill health.

When we do this the toxicity of Resentment and Bitterness worms its way into the groundwater of each person in the equation.   We do not foster greatness in ourselves or in the other.  We live in a model based in fears and limitation.  Therefore, the outcome of ANY relationship, whether it is a love relationship, a friendship or a business partnership, will reflect the energy going into it; namely, limitation and lack of greatness, stagnancy of feelings and of resources.  As within, so without.

A model for a new paradigm in relationship or business must be based on not only honesty at all costs which is rooted in holding the vision for a persons greatness and for their own ability to learn and change, but also for our capacity to rise above the adaptation to weakness model and firmly plant ourselves in the vision of who we are capable of being and who the person is capable of becoming.

We do not hold with respect, a persons inherent Greatness, if we allow a friend, lover, parent, husband, wife or colleague to become defined by their limitations or blind spots.  And, we do not live in our own Greatness if we are not willing to risk living in total honesty and fierce loving.

Who is your Neighbor?

WHO IS YOUR NEIGHBOR?

NOV 23, 2012


heart world

I was rushing to a meeting with a new strategic planner and felt a little unprepared.  I’m a bit of a stickler for getting places on time.  I threw my briefcase into the car with some bottled water and tried to stay under the speed limit, since here in Point Roberts, Washington there is one policeman, known as Officer Slick, who has little to do but give tickets for tiny offenses.  He is Point Roberts onlypoliceman.

I pulled up to the four-way and turned onto Gulf Road, making sure I came to my full stops at every stop sign, one of Officer Slick’s pet peeves. It was raining cats and dogs as it frequently does here in the Pacific Northwest.  I glanced at the clock.  I was just going to make it to my meeting.

Suddenly there he was.  Al, a very old man in a green wool sweater shuffling down the road.  He seemed to barely move and was soaked by the driving rain.  “Should I stop?”  I glanced at the clock and kept driving, seeing that it was straight up 11am.  But, there was that feeling in my heart that I have often, making it impossible for me to continue.  I spun around doing an illegal U-Turn, hoping that officer Slick was nowhere in sight.  I pulled up next the man who had not even made it three feet since I past him.  I rolled down the window and asked if I could take him somewhere.  He was disoriented.  Maybe he couldn’t hear me correctly or maybe he was not used to being helped.  I pushed open the door and asked him to get in out of the rain.

He could barely close the front door behind him and sat slumped in the passenger seat.  His wool sweater smelled of a dog or maybe a wet horse. “Where are you going on a day like this?” I said, smiling.  He took a moment to look over my car and then answered, “Food for Isabella?”  Was she his wife?  His friend, I wondered.  He was shivering as I pulled back into the street.  “Are you going to the Marketplace?”  “Yep, she woke me up this morning and said she was hungry”.  How could that be? I thought.  “Is Isabella you wife?”  Al turned and smiled.  “No, miss, she’s my cat.”

This man looked in his late eighties or early nineties, worn out by a life I knew nothing about.  He then started to talk about what a friend she was to him and the best cat he had ever had. I pulled up to the Marketplace and said I would wait for him and then take him home.  I called my strategic planner and said I would be…quite late.  So much for strategically planning my day down to the hour.

Twenty minutes later there was no Al I sight.  I got out and dashed into the store only to find that he was lost somewhere between the cat food and the Skippy peanut butter.  I helped him find the last item on his list:  Gator Aid.  Checkout took forever since in this man’s life everything moves at a snails pace.  I taped into my deep reservoir of patience and finally got him in the car with packages and all.

He talked of his cat and then tried to remember what street he lived on.  We had to backtrack a little and then he pointed to his house.  The classic home of a recluse, a person who barely subsists, even though when you look at the house you know it used to be something special at one time.  There was a broken down truck in the driveway since they took away his drivers license he said.  An old skiff for fishing in the front yard that looked like it had been there since I was born.  All the drapes were pulled tight and held in place at the windowsill with pieces of firewood.  I worried that he heated with wood.

We got him out of the car with my umbrella, packages almost too heavy for him, yet he insisted on carrying them himself.  Then a thank you.  Then a sideways smile.  Then he disappeared to the back of the house and was gone.

I sat in my car for a moment nearly having forgotten I had an agenda.  All I could think of was Al.  His life.  His devotion to walking in the rain for cat food and his love of his dear Isabella.  All I could think of was his living alone and in dire need of what most of us take for granted.  I was no longer in a hurry.

This past year I have aligned my life with a cause to help children in crisis situations who have no parent, no food, and no shelter. Children who have lived through the unthinkable like the earthquake in Haiti or the Tsunami in Japan.  I left thirty years as a psychologist to pursue a larger passion.  It is very important to me to be living from the center of what I believe I was called here to do.  Helping children have their basic needs met and helping others open their hearts to people they may not know is now my work.  And, yet, Al lives right down the street and he is in dire need too.  Al needs food and help.  Al needs love.  All is my neighbor.

I don’t need to go to Haiti or Osaka to look right outside my window to see loneliness or need.  In fact I wonder if the nightly news of chronic devastation, war and poverty desensitizes us to recognizing who lives on our own street when we watch nightly crisis and dramas around the globe?  How many houses do we pass with overgrown yards, drapes pulled and old people shuffling out to try to bend down to pick up a newspaper?  How many homeless people could have a square meal and tell me their story, if I were to simply stop ‘strategically planning’ my day and take the time to take them for a lunch?

If I woke up every day expecting to witness something around me, some person, some animal, some situation that could use my attention, my dollar, my car, my excess and be better for it…I would be better for it. Our world would be better for it is we each committed to this action of love.  Millions of people would be helped in a single day.   My question to every human and to myself is this:  Why don’t we all live like this all the time?  What will it take for all of us to start?  Who is the Al in your life?

The Seed of Truth

 

A Seed Planted

It has been one year since I sold most of what I own and drove away from Tulsa Oklahoma.  I had been called there to help my mother die.  Four years later, my time was done in Oklahoma and I asked a question. “Now…what makes me happy”.  Then I turned the corner into my sixties.  For the first time in nearly forty years I had no children at home, no husband, no clients to care for.  I just had me.  And my two cats Hazel and Snow.

The question of what makes me happy was new.  It was asked in a new spirit with the emphasis on ME.  What makes ME happy.  I had spent decades organizing my answers around the ‘whole’ of my life.  My happiness was always intertwined with my daughters, or the man I loved, my mother and family and the concern I had for my clients who entrusted me with their stories and their care.

There had been little time to truly know what my own seed of happiness was.  So, I set out for one year to discover the answer.  Not by making a list of what made me happy, but to have an experience of “being happy”.  What became quickly obvious was that I was surprised by happiness.  I never went out looking for it or trying to create happy moments.  Happiness found me.  And in unexpected ways.

And what also became a life lesson was discovering that the way happiness found me was because I slowed down every aspect of my life and made room for happiness to come in.  The art of allowing my life to flow and simply following the current has been the gift of this past year.  Our society is focused on doing, on making, on busily trying to get our life to look like our vision.  This presupposes that we are the only one to make or break our own possible happiness.  That boot-strap mentality locks us out of the experience of being part of the mystery, of the divine, of a destiny that has a design and pattern to discover.  It creates isolation.

Allowing life to move us has at the center this divine mystery of a perfect design. But allowing is a relational word.  Allowing does not mean I do nothing.  Allowing means I hold the vision, embody the energy and move my feet and then the dance begins and my partner is Spirit, God, the Universe, and Love.

I did do one important thing before I put the carrier on top of my Nissan and drove away toward the East Coast:  I set an intention.  A strong intention.  I sat up late into the night and wrote my vision for my life.  I soaked it in, knowing that somehow I had captured on paper a glimpse of a life I would love and then I tucked the writing into my Tarot Bag.  The vision was filled with joyful ideas of being closer and working with my daughters in a business, of being surrounded by music, living in nature, writing for film and seeing myself succeed with my writing.  I wrote of being in a common community with like-minded people, increasing my health and prosperity and being with children in my work.  Then I drove to Asheville, North Carolina.

Now, one year later I am astonished.  When I arrived in North Carolina to spend a short time with my daughter I ran into a problem renewing my driver’s license.  This problem still persists and even baffles congressman Perlmutter in Denver.  No one seems to know how to solve my lack of ‘drivability’.  The loss of easy mobility left me stranded in North Carolina longer than expected.  So, I went to a workshop on manifestation and then two days later met Richard Gannaway from AOMusic through a Craigslist ad of all things.  Four hours later my life rearranged.

Richard handed me two of his Grammy nominated albums.  Driving home I slipped them into the CD player in my car and headed down the Blue Ridge Parkway. It was raining. My first big surprise was about to occur.  I started weeping, pulled off the road and nearly one hour later had finished listening to’ And Love Rages On’, with the windows fogged and motor still idling.

The weeping was a direct message from my soul to me.  Weeping with joy validates the moment I am in as sacred, as important, as inspired.  In that moment something redirected in me and pointed me back to Richard and AOMusic.  My mind said “this is crazy”, “this wasn’t on the agenda!”, “WHAT are you DOING?”.  I kept driving. Now one year later I am a partner with Richard and AO and proceeding with a vision for a film series that is inspiring great interest.  I am immeasurably happy.

That one surprise by the side of the road…of joy…love…creativity…happiness has led to me back to digging out that piece of paper I put into my Tarot Bag just a year ago.  I re-read my hopes and dreams.  I smile when I realize that almost everything I envisioned is in my life right now:  I work with children who sing, I am surrounded by music, my daughter Jessie and I work together on a project she helped to shoot in Nepal, I write for film, have gone to film school, live part time in two amazing natural environments, Asheville and the Pacific North West.   I have a community of inspired, creative, loving co-workers and friends.  I have a new kind of partner of the heart with Richard Gannaway.  I have been prosperous and happy and healthier. All because I opened to the possibilities, allowed for my life to move with serendipity, coincidence and intuition.

The art of navigating life this way has been the largest learning in my lifetime.  And now as our holiday season begins I have a new question.  Not about what makes me happy, or what’s next.  But a question about where is home?  Having been nomadic for over a year now it is time to find ….home.  And finding home is never possible until each of us feels entirely at home in the self.  This year of SELF discovery has brought me to a new way of thinking about home.  Home is the space that is a sacred anchor for our soul to live out our purpose for being here.  Finding home is my next adventure. Or better yet!  I will let home find me.

 

 

Our AO team has finished their 12 day trek to Nepal.  Karan and his attendant Baldev have returned to India, Jessie and Rob have landed in Raleigh NC after a 33 hour flight from Kathmandu.  And Josh has decided to stay on and trek to the Maratika Caves for spiritual retreat.  The entire trip was nothing short of miraculous.

These young people were recording Nepalese Children and filming this process that AO has gone through for over the past decade in order for world music to be created through AOMUSIC and proceeds from this music can go to benefiting the children themselves.  And the team filmed…themselves as a team.  Interviewing each other from the moment they met at the Kathmandu Airport for the first time, to the day they parted company just a few days ago.

On their last day together, exhausted and spent, they all decided to wake each other up at 3:30 am and trek two hours up to the Himalayas to record their last interview with one another, as the sun rose.  Their dedication every step of the way was constant.

Now the footage goes to Seattle where it will be edited and a short film will be created for fundraising.  The recordings are with Richard Gannaway who will continue to finalize the last songs for AO’s new album to be released in 2013.

So, after a few bumps this week in my road, I am finally introducing you to the person on the team who was indispensable.  Josh Massad.  I met Josh three years ago in Tulsa Oklahoma.  Instantly I knew him to be a rare individual possessing a deep compassion and spirituality that filled the room the minute he entered.  Josh is a musician, taught children around the world music filled with love and joy.  But, I was never able to get to really know him other that first etched impression.  I moved away from Tulsa and he left for India.

Then one night only weeks ago I woke up around 2 am and instantly, his face was right in front of me as if he were in the room.  His radiant smile reminded me of all that I had felt on our first meeting.  I sat up and knew immediately that I had to find him, that I had to tell him what was about to happen in Nepal.  I had no idea why but it was clear I needed to act.  But where was he?  I tracked him down through friends in Tulsa and found he was in Goa, India.  My email began with, “I hope you remember me…and I have no idea why I need to write you…but”.

Following this “impulse” and vision in the night has led to Josh being an integral part of our team.  But his response to my email was stunning, having no idea that when I wrote to him he had a story of his own.  Here is a little of that story and his first email to me back in July:

“How should I respond to such an email?  And one that is found during an intuitive search thru my junk mail – on a rainy evening?

How do we react when our back hurts?

How do we react to painlessness?

And when a child cries?  Or when a child laughs?

When one is born?  Or when one dies gracefully in old age?

How about when God answers our prayers..?

well… here goes.

Quick response to your idea about joining AO:  Yes, in my most humble manners – I too have so much to share with the world!  I believe our goals are One.  Count me In!  Tikrami!  At Your Service!

And here is the rest of my story:

Today, we are celebrating a festival for cobras here in india.  I don’t know the details yet, probably Shiva’s Cobra that he often wears around his neck is honored (as a god).  The cobras are said to come out and even into our homes but we are safe if respectful and by making prayer hands.  All the temples are playing great music and lighting Agarbathi (incense).

I have been living in Goa for the last 6 months.  I am so intrigued by Goa’s ‘Hindu Christianity’. Goa is also known as “India-lite” and for this reason:  Though there is poverty and plenty of orphans and tons and tons of trash – it is nothing compared to the rest of india – save one state that I love more than Goa much due to its cleanliness, spirituality & music; Kerala.

I ruptured a disc in my lower back while mid-flight from Chicago to Delhi 6 months ago exactly.  Which also means that my 6-month Visa expires in 4 days!  I had been considering doing what many people do and go to Nepal for a while and then reenter India on a new visa.  What timing.

After the rupture, I successfully took my train from Delhi to Mumbai on Feb 2nd where I was to record a big festival concert featuring some of the greatest percussionists and musicians in India and the world.  Maybe you remember the band Shakti, who began in 1974.  Anyway, times were tough for me, and eventually I had an MRI that frightened most doctors.

Continuing on, Feb 14th, I came to Goa to tour with a world music ensemble, Emam & Friends, played only one concert and then became paralyzed, spending the next 5 weeks in bed only.  One daily visit to the toilet left me the rest of the day to contemplate pain.  Eventually I renounced my ego-causing attachment to pain all together!

It has taken me 6 months to heal naturally.  With great help from Ayurveda, I am healed!  All the others told me surgery is inevitable – though I trusted them as respectable doctors, I didn’t hear that they knew me, or better – the God who resides within me – who I was and still am so determined to know and Love.

When I first came to Varanasi in 2008, I found myself among a 5,000 year old civilization.  I had to be part of it, I had to learn, I had to contribute.  And that is when ‘Teaching My Ancestors’ established a month of village school visits, laughing and playing with my young ancestors.  The greater international project took the name, World Through Music.

Each winter I have returned to my growing student body here – last year we taught in 9 Indian states.  I am learning so much from these kids, they give me the opportunity to experience love – I and the project are Empowering them!  And I am hoping to master the art of ‘wordless communication’ that is peaceful and Creative!  The school is a forum for sharing.

I was taught a ‘song of welcome’ from Liberia – by my teachers 15 years ago – and do they know, does anyone know that thousands and thousands of kids in India are still singing that song today, years after I shared it them, they still have the purity of welcoming in their hearts.  I know this because I return to them a year later – and they sing me this song that traveled from Africa to America to them and has most likely reached the cosmos by now, within their hearts, as One Soul.

Each Spring and Autumn, (accept this Spring I was here in bed) I am in Tulsa teaching and sharing my international experiences with American students.

It became so clear to me that these students are the leaders of our future and that now is my time to do my work, but soon I will be old and they will determine the fate of the world.  With all these weapons and temptations/distractions, we need to train our community in self-control (pratyahara – yoga) and appropriate action.

Then my work must be to train these kids.  All around the world, it was clear to me that most kids are not receiving proper training. Even in the USA where there is some investment in education, what are we teaching? – – are we teaching life, community, and the beauty of breath, silence, sound, universality, freedom, freedom in death, healing one another?  Or often just the opposite?

Like AOMUSIC, I believe these children, all of them, will influence our future world, TOGETHER.  So give them something in common with their international peers, introduce them, teach them community, empower them that they know their responsibility, to family, that family need not be limited to common languages, etc.

What could be easier, more beautiful to access Truth, expression, inclusion, spontaneity, “peaceful & creative forms of communication”, than art?  And music is sound, healing that everyone loves.  Through Music I have learned about the world, and so thru music, I will do my work teaching Truth to the world.  Yoga also, music and yoga teach me patience, control, unbounded love and forgiveness and keep me alive, connected, healthy and inspired.

How can I further this international community?  In 2010, I worked with a Tulsa school for one month, teaching them all these things, yoga(union), breathing(awareness), music(expression) (determination) and then we built instruments, played them in a shared musical experience.  Then our students, knowing I was off to teach in India – offered their made & blessed instruments to my Indian students which I carry everywhere with me.

Off I went to India with 24 Rainsticks on my back as an ambassador to offer these kids a chance to know themselves better, and their connection to the world, to their peers – through the gift of Music.

I began recording my classes only a few years ago.  Video and audio. (more equipment to carry) but also thankfully, more people to hire and get involved with.  That is what I know I need, more people, more participation.  I have been forced to work alone dear Maya for most of my professional career and it is such a blessing, all my dreams are clear, I work diligently and find creative ways to succeed – but this one man trying to raise an international family is hard work.  I need community that which I teach of that is family!  All I have to do is what I do best, Inspire and Encourage.

But my back finally gave up supporting all my issues – and the project has been halted again – (another disadvantage of a one-man show).  I haven’t anymore money.  I need sponsorship.  All of Tulsa supports me – but I don’t have experience asking for money.  I missed $5,000 of work in april/may/june in Tulsa schools with a tour I created called ‘Beats To Bridge’ connecting the American student with our Indian students.  That work took years of preparation and was crucial to my survival.  Now in debt with hospital bills and haven’t any plane tickets home or even money to pay musicians here to contribute to the album now that I am healthy again. My life is just now starting over – I feel like I have been given another chance to live, to pray, to celebrate, to Inspire, to Serve!

All of the dreams remain – even have been further empowered – there is not a doubt in my mind that my ‘dreams’ or my ‘service’ need be fulfilled.  I don’t feel necessarily attached, only that I need to survive to serve and I should continue with a well-conceived plan.

Since the last month or two, I have been approaching Dzogchen Monastery nearby in Karnatika and hoping I could spend a month there meditating and internalizing the Sacred Sounds of Prayer.  I offered to produce recordings of their prayers if they pleased to raise money for them.  I haven’t yet been formally invited, and today my visa is the biggest issue.

Then your email arrives Maya.  The timing …well….perfect.  Our goals are one dear Maya!  And our means are quite similar. Your team has decades more experience and accomplishment than myself.  I come in humble admiration.

I am willing to reserve my plans with calm or give up any attachments if my path was meant to lead us to collaborate – of course I surrender.  I have not foolish or proud or selfish intentions.   India and America are two of the greatest teachers especially in combination.  I am forever a student.  One of my most recent lessons is to protect myself and that God within me.

Whenever The Mother calls, I shall answer.

If I can assist on your project in any way, I would be most honored and appreciative.  To work with you and this wonderful family of humans and musicians that you mention is obviously a great blessing which will help me fulfill my own destiny.”

Josh proved to be, as I lovingly refer to him, the Yoda of our team.  He brought his suitcase of instruments for the children to play wherever the team was.  He supported the team when they were exhausted with joy and patient listening, he helped Rob with all the recordings and Jessie with sound.  Josh was a spiritual backbone for our project in Nepal.

My learning was simple and powerful:  To listen to my dreams, to follow that inner nudge, that fleeting glimpse of something that you cannot know why it crossed your mind and to trust the process as it unfolds. To count my intuition as valuable as any asset I possess.  If I had not acted on that nighttime urging, seeing Josh’s face and not knowing why, our trip to Nepal would have been quite different.  Josh became the glue that held the vision together.  How could I have known that?

So please tune into this next step of filmmaking.  The team that has once again miraculously assembled themselves is another magical story to tell.  And you know me.  It is all in the story.

Namaste

Nepal: The Soul of the World

 

In my hope to write every day about the trip five young people are on in Nepal, life broke in and tapped me on the shoulder and said, “Remember about making God Laugh?  Throw your plans out the window and go to NYC”.  So, two days later I did and I am now in NYC with my daughter Sasha.  Hot. Loud. Crazy New York City.  There is no other place like it…except maybe Kathmandu.

Each day I surf the moment and the time zones and field so many details of producing, from more ATM machines that are down or changes of plans, budget problems or little details that at the end of the day don’t amount to a hill of beans next to the depth of the journey for all of the Team in Nepal, representing AOMUSIC.

So, I will try to catch up and the only way to do that is to make this entry be all about the day in the life of our AO Ambassador, Rob Lenfestey who has shared a story with me.   I will write more tomorrow about the last person on the Team.  Our own Yoda.  By now your curiosity is peeked, so look for new blog entry and a story you will not believe.  It is all about navigating life by intuition and instinct, a skill we could all cultivate.

Enjoy Rob’s words:

“My dreams thus far have been potent down here in the humid Nepali Jungle: I asked in my dream “So what does happiness look like? And was shown some flashing scenes and images in my head.  “What does clarity look like then?” and another image. “love?” “Friendship?” And on it went.

Then I asked “What does God look like?” and the door slammed open to my Guest House Room.  “Rob”, came Josh’s voice through the glass pane, “Rhino!” And so it was; gracing the river bank below. The first wild example of its kind to grace our team with its presence.  It even had the requisite black birds gracing its massive armor-like back and horn.

By 7am we had eaten our breakfast and loaded up into our transport with Raj and headed to two different impoverished villages full of kids to catch of glimpse of how they lived.

Before we even arrived in the first village, comprised of two long buildings that faced each other with a muddy courtyard in between, we were already being chased down by laughing barefooted children.  The locals were amiable and smiled, clasping their hands in “namaste” to greet us.  The kids, however, simply piled up on top of each other to get in front of us.  Once Karan brought out the big film camera, the ensuing kid pile was hilarious to watch.  Karan flipped the view-screen around and this delighted them the most; now they were watching themselves on the screen.  The gestures and experiments that ensued as each kid eagerly pushed themselves within the field of the camera and watched themselves live was adorable and thoroughly entertaining.

We went to look into their living quarters, which were small rooms split from one long building that comprised an entire half of the small village.  In these small 12×12 ft. rooms some 12 person families lived, cooked and slept.  Each room was impeccably clean and the space outside in the courtyard, while muddy, was free of trash and filth typical to urban impoverished areas.

We went to their well where one of the mothers was cleaning cookware.  This is where the ice broke between the myself and the Children.  I was walking behind the well’s concrete platform and began to slip on the slick algae that grows there.  I caught myself and didn’t fall, but instead turned it into a kind of gliding dance.  The children laughed and so I kept dancing some more.  Eventually this dance erupted from the well and culminated in me loping around chasing them through the village.  As this play continued I was struck by a certain beautiful truth that brought a deeper gravity to this project and its importance.

At its roots, AOMusic is for the creation of world music.  World music crosses cultures and brings them together, celebrating both our diversity and the immutable humanity we all share.  And so it makes perfect sense that  we should build the foundation of such work on that which binds us.  And nothing exemplifies the unity of the human race than the faces, laughter and songs of the children.

It dawned on me that you can change the set and setting as drastically as you want; from Lower Manhattan to the rural jungles of Nepal and you will always find kids.  Kids smiling, kids playing and chasing each other around whatever environment they find themselves in.  And if you took any of those kids and transplanted them in the other place it would take barely seconds for new friendships to be forged and play to ensue.  It is upon the pure essence of a child’s spirit that our “sameness” can be celebrated; and from this thread of unity we may truly celebrate that which makes us unique and different.  I had known before that this was important work and for all these same reasons, yet now a deeper part of me understood.  My bones understood and very muscle in my body understood.  Understood and beamed in celebration of what was before me: Dozens of smiling faces and bright eyes beaming at us, still charged up and ready to flee if the loping beast decided to awaken once more.  And it did.

As we prepared to leave I pulled Josh aside and whispered in his ear.  We then broke out into a goofy, fun vocal improve performance for the kids, one last gesture of gratitude for the gift of their purity and the deepening awareness it had inspired inside of me.

On we ventured to the edge of Chitwan, over the river by canoe and into the government’s Elephant Breeding Center.  The day was hot and muggy by this time, so we moved quickly over the open land towards the relative cover of the Breeding Center’s information booth.  We read a little about elephants, the struggles of captive breeding and the economic importance to this region across generations.  None of this, however prepared us for the elephants themselves.  Under relatively small shade structures, tethered to a wooden post on a small mound of dirt stood each elephant.  The front two feet were chained together tightly like those of a convict to prevent any kind of long strides.  A brief look into these incredibly intelligent eyes was all I needed.  Chained up like a convict, yet what was your crime?  A dozen or so such elephants lined the center with perhaps six or seven babies in all.  I felt uneasy being among the free humans walking along the railing gawking at them in their captivity.  Just one look in the eyes of one of these elephants was all it took to see their depth of understanding and awareness. I turned to look at my team.  Each and every one of us felt the same way.  We did not linger in this place long.  We made our way back out and across the river towards home.

The joy and celebration of the children was mingled with the sobering sadness and even wisps of anger around the treatment of such wise and beautiful creatures as these elephants.  All of this, the full spectrum of our human experience, is beautiful.  Asia brings this lesson home for me quite often.  The best and the worst all mixed into one beautiful cacophony of human existence.”

 

 

 

Suaraha; Where Instead of Having a Bicycle or a Car, You Have an Elephant! Day Three, AO in Nepal

No sleep for me last night.  Too much to do. So much to consider.  Yep, the bank froze my debit card seeing 5 people eating out in Suaraha, took care of that …again.  Yep, made sure that there was a new hotel reservation for Kathmandu, that the interview with the “Bee Acupuncturist” was in fact happening (an acupuncturist that uses bee stings as his needles) and answered the inevitable emails that come in about 4am every morning.  That’s before my feet swing out of bed,

I don’t care about sleeping. I think most people who find themselves at the apex of their creative center feel this way.  We forget to shower, eat…take out the trash.   It is like waiting for a child to be born.  While the Team is in Nepal, I am simply lit up like a firecracker.  It is one thing to achieve a goal:  Send 5 wonderful young people to Nepal as ambassadors for AOMUSIC and come back with recordings of children singing as well as unparalleled footage of this amazing process.  But it is what happens in between the goal and the outcome that defines the creative process.

Creating is the art of allowing.  Allowing the picture to come into focus without pushing, allowing for interruptions to the plan to reveal the REAL plan.  Allowing for magic to break in unexpectedly and change every person involved, which then immediately changes the outcome. Rain, food issues, cultural differences, language, altitude all are the ingredients for surprises, one after the other.   This is why I don’t mind loosing sleep.  This is why I have put my life in alignment with AO Foundation International:  Because I am guaranteed to be allowed to unfold, just like the process of making this film and meeting these families, children and the country of Nepal.

So, while I was still awake at 5:30 this morning, this email came in from my daughter Jessie.  Internet is difficult in Nepal and as the team writes each sentence they have to constantly re-boot, re-fresh, wait and shut down.  Does not make following thoughts very easy.  But it is the spirit that blazes bright in every email.

From Jessie:

“And it is a late late night for me….Today was like breathing.  It was our second and last day with the children at Shree Little Star School. As wonderful and amazing as they were, I am even more excited about the days to come and the future footage I will take, as we just got invited to come back to Kathmandu to work with a group of children in an Orphanage there, as well as with a renowned musician from Nepal.  Raj took only myself over to Mushard Village to quickly meet the new children here in Suaraha and speak to them about coming in the morning to record them.

Although the streets were muddy and the village small and poverty stricken. I have never experienced such radiating light, love and laughter like that from children.  I was only there maybe less then five minutes and I left with them knowing my name and chasing after me when we left on the Mo-ped. I have never felt happier and more up-lifted in  my life.  This was after a morning of slowly drifting down the Rapti River in a canoe with Josh and Rob doing yoga. We watched an elephant and her baby cross  the river.  A magical day of footage and pure excitement. Things are unfolding so fast and so beautifully, I can only assume I am walking a path that I have been searching for my whole life.”

Sigh.

So, the Team is working today with a new group of younger children and then packing to go to Kathmandu in the morning.  This was an unexpected new offering that happens all of the time with AOMUSIC.  Once people hear the music, doors open to wonderful new introductions to communities and children.  It is our firm belief to follow the gifts we are given and make those contacts, take the treks and be open hearted, open handed and supportive of the families and children contributing to our albums.  So a new adventure begins.

Our third Team member was also a gift.  I had never met Karan Sharma, but through an introduction to Marc Pingry Production a light bulb went off in Marc’s head as we were having dinner in Seattle.  “Karan…you must bring Karan Sharma with you”, said Marc.

Marc proceeded to share about this young man whose father is Romesh Sharma, an Indian actor, producer and director in Bollywood.  Karan has acted, and worked on a documentary series called  “Fantastic Festivals of the World”. He brings a creative eye, enthusiasm, great ideas and heart to the AO Project in Nepal and is working with a larger camera to film the team teaching children and the story of the team itself.  Here is a little on Karan.

Karan currently is living in India, and has studied International Business and Management Studies at the European Business School London. He is fluent in English and Hindi, and can speak some French.  Karan has also acted and we are excited to work with him in the future on our larger documentary that will trek to the Caves of Maratika and to a monastery near Everest.  He is a gem!

Fantastic Festivals of the World

Season One & Now Season Two   People around the world know how to have fun!The “Fantastic Festivals of the World” Series features the best, most exotic, bizarre and unique of these celebrations!  This exciting and colorful HDTV series can be seen currently on the Discovery HD Theater (www.dhd.discovery.com) in the USA on Wednesdays at 8 pm and 11 pm PST. the documentary was done by Marc Pingry Productions.  www.youtube.com/pingryhdtv

So, when Karan came enthusiastically onboard I thought our team was complete.  Until one night I woke up and saw a picture in my mind of a young man I barely knew and somehow understood that for some reason, Josh Massad, I think that was his name, had to be part of our team also.  I had no Idea why, but in the next few days I found him in Goa, India and found out why I had had a vision of him that night.   Tomorrow I want to introduce you to the teams own “Yoda”.  Josh Massad.  Our fourth team member.

Diary of a Dream: Day Two in Chitwan, Nepal.

     

So I dream all night about elephants and mountain tops eager to get up and see if there are emails in my inbox from the Team in Nepal.  Their late night musings, concerns or questions come in about 6am at my house and I am off and running.

And, as I promised, I am going to profile another member of the team who wrote a piece this morning that says it all.  I need not say another word except:

Rob Lenfesty is from Asheville, North Carolina and is the person standing in for Richard Gannaway and teaching the children music.  This is his first time working with AO and I am certain it will not be the last time.

 

Rob is part of an intentional community in Asheville, a yoga teacher, slackline teacher (get to know about this if you do not already know), a composer, musician and magic with children.  Here is what he shares with you from the heart of Nepal”

 

“Since arriving here we have set some cultural experiential goals. One for me has been to ride an elephant; and in the spirit of fun and creativity do some yoga asana on its back.  We had spoken of this often; and when an elephant came down the hill next to where Josh and I sat eating breakfast I commented;

I wish they didn’t all have those boxes on their backs (referring to

the wooden platform adorning all elephants we have thus far seen)

because it will make it difficult to do any yoga on one.

Half joking and yet, right in that moment, the elephant got to its knees and the owner dropped down and began removing the box off of its back.  I decided to get a closer look and walked down there. “Elephant shower?,” the mahout (elephant keeper) asked me, gesturing to the elephant’s back and the river.

With a broad smile on my face I crawled up and there I was, riding bareback on an elephant mere seconds after musing about it.  We went into the water and the elephant began sucking water into its trunk and drenching me on its back.  The day was already hot and the water was refreshing.  Another blessing barely in disguise; by standing in a couple of feet of water the elephant afforded me the opportunity to safely try fun things like headstands on his back.  Elephant Yoga!

A few times I splashed down into the water but was able to get back up and try again.  Afterwards I was able to just connect to the beautiful and intelligent creature before he left the river.  One goal manifested, and beautifully!

I feel that the “child-like” compulsion to play and try new things is the key to refreshing and invigorating the human spirit.  Such play awakens the divine inside of us; we glow with the pure joy of living and the happiness that is derived from new experiences and magical opportunities realized.  It was with this playful and activated spirit that we piled up in the truck and drove to the school to meet the kids who are to be the heart of this journey.

We arrive at the school to find a group of well-behaved enthusiastic children sitting behind their tall wooden desks, eager to learn.  It did not take but a few moments for us to break the ice with some perfectly goofy vocal exercises and games to establish a playful vibe for this experience.

It was now in this moment that the true alchemy of this group of AOMusic ambassadors really became apparent.  While I prepared the materials to teach the kids the song we were going to record them singing, as well as confer with the principle and school officials to discuss logistics, Josh continued to engage the kids with fun games and exercises that served the multifaceted purposes of play, exercising musical awareness and exercising singing voices.  We wrote the song on the whiteboard and practiced each syllable and then the song.  The kids picked it up immediately.

I was astounded by how quickly they got it.  After a few more games we brought them outside and got a recording of them singing as a group underneath a mango tree in the schools courtyard.  I then proceeded to begin my individual recordings while Josh continued to pull engaging games out of thin air to keep the kids delighted and inspired.

When we finally stopped for lunch I decided to bring out my slackline to see how the kids enjoyed it.  Slackline is a piece of flat one inch wide webbing that you place between two trees and then practice balancing on.  I teach with the Yogaslackers, a group who are dedicated to bringing this wonderful practice to the world in an easy to learn format that celebrates the diversity of opportunities this simple tool provides.  In a class what we establish are the basic poses of an ever-growing list of yoga asana that we have applied to the slackline and the flows that move between them.

I set up the line and the kids all gathered ‘round.  I showed them the basic knee balance that we first teach and then each kid who wanted to (and some teachers too!) gave it a shot.  As each approached the line everyone would cheer their name and clap enthusiastically for even small victories from each person.  I did a quick demo of what is possible and then fluidly returned to recording the children individually.   Josh found even more games and musical adventures to take the kids on in the mean time.

The film and photo crew of Jessie, Karan and Baldev continued to find creative ways to shoot the recordings and orchestrate shots throughout the session.  The fact they have been doing so since we arrived in Kathmandu; capturing each inspired moment along the way with ease.  Thus we made sure the light was perfect and recorded the kids as they sung; eyes beaming at the fancy cameras, boom stand and recording equipment surrounding them.  Even for those of us familiar with all of this equipment it was surreal.

I can only imagine the wonder of it all for these kids out in the Nepalese countryside.  In all we were hoping to keep the kids captivated for an hour, at most an hour and a half.  After all, today was a special day of holiday and we knew they would want to get out and enjoy it.  Except we were underestimating ourselves as well as the kids.  For four hours we not only kept the kids captivated and entertained, but they were hungry for more.  They wanted us to stay and continue to play and record.  To reiterate with enthusiasm; Josh Massad stepped up in a beautiful way.  He had the kids singing tabla rhythms and had brought an arsenal of fun instruments for them to play.  Entertained, entrained and educated all at the same time.  And wanting more to boot.

Because of how musically engaged and fun-loving the experience was for the kids, by the time they reached me for their individual session they were fully loose, activated and vocally warmed up for the experience.  When we finally left the children were beaming.  I beamed at my crew.  I could not have been blessed with a more alchemically perfect combination of people to create this magical experience with.

Rob Lenfestey,        Celebrate Life.

Tomorrow is another day, and I will finally introduce you to a young man from Mumbai who is filming in Panasonic HD for our larger documentary:  Karan Sharma.  And does he have a wonderful story.